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The lost history of a forgotten First Lady
crowns of thorns and glory

Beautiful photos
Good for Intermediates

Best one out there.
Understanding plant development through molecular genetics

I liked this book because it was exciting!
The best book you could ever read!

Promised Passion By Hannah Howell
Wonderful book!This book will hold your undivided attention from begining to end. Start the book early because you will not want to put it down


Covers general principles beautifully
easy to understand, lovely to look at, achievable gardeningI wish he would come round and plant up my garden for me!


An excellent history of the stone wall.
A Real Page Turner

Fun for Beginners and Experts
A simple way to understand Shakespeare

AN INTRUIGING READRoyal Bancroft, a man hardened by war but determined to live in peace on his ranch, has never forgotten the wild young Antoine. Now that she is a woman grown, he can't stop himself from wanting her. Unfortunately, she was raised by a bandit, outside of the rules of polite society. He is torn between his desire for her and his yearning for a respectable wife.
Royal and Antoine, no matter how much they try not to, surrender to their unspoken love and spark an unquenchable fire. When Antoine becomes pregnant, they marry. Their fears and doubts leads to many misunderstandings between them, but they're determined to make their marriage work. Their future is threatened, however, by an evil foe determined to destroy them both. Can Antonie and Royal survive this threat? Will they be able to finally reveal their love for one another?
A TASTE OF FIRE is a story filled with tension, suspense, passion and love. It is an interesting read that you will enjoy.
ONE OF THE BEST

okay
stunning
"reveals our aspirations and the changing place of women"Conde Nast's original purpose for Vogue was to "produce the most beautiful and tasteful magazine that had ever existed."
The subjects for the photographs have changed a lot since Vogue was founded. Originally, all of the subjects were either royalty or society women. As Ms. Howell points out, you can never get rid of royalty if you are Vogue, but you can move on in other areas. At the start of the century, the aspiration was to look like an aristocrat or an actress. By the end of the century, the desire was to "look like television presenters and the wives of football [soccer] stars."
The book is organized around type of photographic subject, with a marvelous essay in each case exploring the meaning portrayed by those photographs. The sections are royalty, society girls, inspirations, muses, dynasties, models, stars, exotics/eccentrics, waifs, and icons. Here are my favorite photographs from each section:
Royalty -- Helen Windsor, taken by Lord Snowdon, 1982
Society Girls -- Jemima Khan, taken by Oberto Gili, 1998
Inspirations -- Mother Teresa, taken by John Downey, 1981
Muses -- Ines de la Fressange, taken by Albert Watson, 1985
Dynasties -- (Mother) Nena Von Schlebrugge, taken by Norman Parkinson, 1958; (Daughter) Uma Thurman, taken by Albert Watson, 1994
Models -- Cindy Crawford, taken by Arthur Elgort, 1995
Stars -- Charlotte Rampling, taken by Clive Arrowsmith, 1970
Exotics/Eccentrics -- Diana Vreeland, taken by Horst P. Horst, 1979
Waifs -- Marianne Faithfull, taken by David Bailey, 1965
Icons -- Diana, taken by Patrick Demarchelier, 1997; Greta Garbo, taken by Cecil Beeton, 1946
Where many books with photographs of beautiful women simply try to overwhelm you, this book instead features photographs to illustrate the essays. The theme here is to examine "beauty that survives radical changes in taste and fashion." The subjects are "distinguished or notorious, pretty or striking, and sometimes all four . . . ." This is done in a way consistent with Vogue's purpose to "dress the mind as elegantly as the bodies" displayed here.
The essays don't take the subject as seriously as all this sounds. For example, Ms. Howell is quick to point out that "happy endings have been few and far between" for those who have been portrayed in Vogue's pages. So we are dealing with an illusion of a perfect person and a perfect life. Illusions can be helpful in setting appropriate aspirations. The question the Vogue images raise is whether following the "trendiest" of the time is appropriate. The book itself suggests that it is not. In fact, I found the essays to be an interesting counterpoint to Vogue's usual monthly issue in suggesting what timeless values are and should be for women. And that was more than I expected or had a right to expect from this book. So I was very pleased with it.
My expectation had been to see some terrific photography done by great photographers. And there was plenty of that. But the social commentary is the most valuable part of this book.
To better put this book in perspective, you will find it valuable to take a look at David Bailey's "Birth of the Cool" to see lots of terrific Vogue photography from the 1960s. You will be struck by the contrasts immediately between establishing a look and a feel as fashion in that book, and seeing images here for establishing a socially meaningful perspective. I think you will enjoy both books.
After you have finished viewing these books and their fine images, why don't you think about what your aspirations are for yourself. Are these consistent with your own heart? If not, could some of these aspirations come from the popular media? If so, can you identify which ones? Then, examine each to see if it merits your support.
Be yourself, beautifully!